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"Romeo & Juliet" 3 / 3







Death affrancherà Romeo and Juliet from the bondage of lies that he has betrayed their aspiration to join in life, in the bitter revenge of the kingdom of silence. For Romeo, desperate and living on the sarcophagus, Juliet is equated with death itself: the beauty of her, she says, "not even death has been able to resist."
"Even in the final Juliet favors eros", I suggest, "finds its identity in a gesture that is the vision of physical love:" O happy dagger! This is thy sheath. There rust, and let me die, she sighs, as he sinks into the 'sheath' of her belly. "
accepted, we the public, the last word spoken by the lovers, not love, but die.
Goes off every gleam of light, between stage and audience.
The music is silent now, as we leave the decision by the two lovers die for all of us remains the only possible one.
Curtain.

text extracted from:
"About this Romeo and Juliet" by Paola Calvetti

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"Romeo & Juliet" 2 / 3






From quell'amen and until the time of challenge the dagger with which you take away life, Juliet is one: one will accept to drink the poison in his room, resisting the temptation - is fourteen years old! - Calling him the solace of family accomplice.
"This is the most cruel - says the choreographer - a choice must be made so radical and terrible as a chilling sequence veristic that style, I would like to contrast to the classicism of the balcony scene and the sensuality of the bedroom."
Amen, says Juliet in an instant cold.
From quell'amen down upon her the dull silence of the outside world. Now the characters will live in the false mirror and ambiguity: we see them preparing the decorations for a wedding that will become a funeral, we will be complicit in that Juliet is preparing for death "cataleptic" that will lead to real death, we know that Romeo is coming, too ignorant of the truth. Chronos
only knows. It can do nothing to change the order of events.

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Images from "Romeo & Juliet" 1 / 3







Death looms welcomes prey under his cloak stinking anyone who gets in front of it.
Scarzella retrieves the archive images of grieving wives in mourning. Mothers and sisters, Madeleine and veiled women, not vehement search signs of modern, or for opportunities. As the tomb becomes cold autopsy table, as if to give the story of Romeo and Juliet the graphic autopsy of a love. A common cold, steel table, which brings us back to the television and movie screens of our debut album, yet common in virtual places such as pain and loss scream loud.
will be a word, "amen", spoken by Juliet when he realizes that can not even longer count on the complicity of the authority on stage to introduce the theme of loneliness. It is enclosed in this word the final burial of hope, acceptance - fake - to marry Paris, and pretended to give in to death until that does not reach Romeo.

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"Romeo & Juliet" chronicle of a creation


Teatro Comunale di Firenze / Maggio Musicale MaggioDanza / Foundation



In June 2006 the opening of the "May" at the Teatro Comunale of Florence were organized initiatives, along with the representations, including this "Romeo & Juliet / Chronicle of a building" with photographs by Stefano Stagni. The choreography
"Romeo and Juliet" by Giorgio Mancini previewed in the 68th Maggio Musicale in 2005, also will be repeated this year during the summer events including the impressive collection of Fiesole. The exhibition photo will also be featured here at the same time on the dates arranged for the performances.

Romeo and Juliet choreographed by Giorgio Mancini, with music by Prokofiev

The basis is the idea that eros shakespriana reaches its climax and crowning only encounter with tanathos inevitable, death. Creation is chasing the impossible challenge of representing an absolute love of a society dominated by unbridled violence and empty conventions, From Ammonium-represented among the paradox that Lorenzo (Chronos) gives Romeo: "love in moderation."
tension pervades the ballet, from the beginning, where the classical language choreography expresses the will of the actors to conform to social mechanisms, to break out of an almost brutal physical protest is unnecessary will love to look for an opening. And the scenes of youth, romance and pure eroticism of the dance they just make it even more tragic the bitter fate of the lovers.

Giorgio Mancini


Juliet & Romeo / Chronicle of a building
Photography Stephen Pond choreography on "Romeo and Juliet" by Giorgio Mancini

The project began as a photographic document imaging, the choreography of George Mancini. Register
the first dance rehearsals, until the enactment on stage, through a look that could be interpreted "as that of a dancer" on stage.
Through the scenes, capturing the unique moments and quick engagement between performers, creators and workers, there is a double reading of the ballet as a player and spectator.
The Florence exhibition will be an initial willingness to put on stage, behind the scenes, the choreography does not represent but contemplating with a look excited and involved.

Stefano Stagni


The photo exhibition will be on display from 8 to 13 June
Teatro Comunale di Firenze / foyer of the auditorium - the room by the Superintendent
May Music MaggioDanza - Foundation